|
 |
 |
|
Lieux sacrés, le Musée (tryptych detail)
Mixed media on panels, 71cm X 75, 1989
Photo by Guy Raymond
|
 |
 |
|
Lieux sacrés, le Cloître
Mixed media on wood, 73cm X 73 X 73, 1989
Photo by Guy Raymond
|
 |
 |
|
Lieux sacrés, le Cloître (interior detail)
Mixed media on wood, 1989
Photo by Guy Raymond
|
 |
 |
|
Lieux sacrés, le Tombeau and l’Hypogée
Mixed media on wood, steel, sand, 1989
Photo by Dominique Laquerre
|
 |
 |
|
Lieux sacrés, l’Hypogée (detail)
Mixed media on wood, steel, sand, 1989
Photo by Guy Raymond
|
 |
 |
|
Lieux sacrés, le Temple
Mixed media on wood, steel, canvas, 1989
Photo by Dominique Laquerre
|
 |
 |
|
Lieux sacrés, le Temple (detail)
Mixed media on wood, steel, canvas, 1989
Photo by Dominique Laquerre
|
 |
 |
|
Sierra Madre, Vengeance/vanganza II
Mixed media on canvas, 118cm X 80, 1989
Photo by Guy Raymond
|
 |
 |
|
Sierra Madre, Vengeance/vanganza IV
Mixed media on canvas 118cm X 80, 1989
Photo by Guy Raymond
|
 |
 |
|
Sierra madre (sculpture detail)
Steel, plaster, sand, charcoal, 1990
Photo by Daniel Roussel
|
|
|
|
|
gallery
Lieux sacrés
[Sacred Places]
1988 - 90
Fascinated by the interaction between nature and culture, the way they oppose and complement each other through the ages, Dominique Laquerre has created a number of pictures and installations related to sacred places. Temples, hypogea, museums, cloisters, among other structures, evoke the passage of time, spirituality and matter coexisting, sought order and constantly renewed chaos. These works consist of simple geometric shapes like pyramids, hourglasses, arcs and cubes. Through contrastingly vivid colors against white, they highlight contrasts between natural elements and architecture.
The first phase of this project was completed in 1989 during an artist residency in the Mexican State of Chiapas. Laquerre integrated plants, dirt, lime and bits of newspaper to her collages on canvas. She used rudimentary techniques for these works.
The Precolumbian pyramids and volcanic mountains of the Sierra Madre share the same outline. The excessive nature of the landscape is matched only by the immoderate pollution and the environmental impact of human activity over the last decades. Native spirituality however reads ecological problems differently: for the native, the mountain is a patient mother, the womb of all life, and the volcano is the mouth with which she occasionally calls to us.
Translated by François Couture
|
|